When Director Wim Wenders decided to create the movie that would serve devil as a tribute and a celebration of human life, he may have said to himself, When there is a need to emphasize the beauty of something, what more effective counselling is there other than to make one aspect a nonhers operose desire for it? The result is Wings of Desire, a pictorial subject ara which makes its charitables viewers appreciate their own lives by making them rule the intense longing of an angel to live. What is quite remarkable neighboring it, aside from this admirable goal of proving human life to be exquisite and ultimately, desirable, is that it achieves this through the extraordinary interplay of all(a) the production aspects of the film. Foremost, the film consists of many an(prenominal) short yet powerful glimpses into lives of several human beings - an gray-haired Holocaust survivor, a young prostitute, a self-destructive man. scarcely these atomic number 18 all ascert ainn in a unalike light, because they are shown through the eyes of Damiel (Bruno Ganz), an angel who watches over the urban middle of Berlin and its inhabitants. He is limited to being a passive commentator : he cannot experience what they go through, and he does not have human vulnerability, strength, and ability to love.
And so for him, both the positive and damaging emotions that human beings go through are wondrous; the viewers, see through his perspective, are influenced to feel the same. Further emphasis on this lovesome and compassionate view of life is made potential through the script. Wim Wenders and Peter Handke created each line as if th! ey are all poetry - soothingly lyrical and pleasurable. As a result, a surreal and meditative atmosphere is created, where everything is depicted not in a conventional, prosaic manner, but in an extraordinarily aesthetical way. If you want to get a full essay, align it on our website: BestEssayCheap.com
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