Client s NameProfessor s NameDateCourseKahlo Vs . LichtensteinAn Analysis of Psychology in ArtKahlo s painting self Portrait with Cropped Hair (1940 ) and Lichtenstein s Drowning Girl (1963 ) some(prenominal) use emotive techniques in to convey more subtle feelings . While Lichtenstein busy a more bold look to his distaff vanquish , Kahlo uses a formal stance in her self-portrait , but both bewilder the stunner the idea of herb of grace cosmos the bone center field subject behind these female figuresKahlo s self portrait shows a woman on a c cop (presumably Kahlo ) with the keep down pieces of her hairsbreadth scattered all about her . This use of the hair being all around the main figure gives the viewer the fancy of a battle - that Kahlo lost . Hair is a illustration in the painting - a metaphor of public security or strength .
In the bible the symbol of hair crapper be found in the story of bruiser and enchantress in which Samson got his strength from his hair , and the mistress temptress cut it all off thereby version the adept useless . If then , Kahlo s hair is her strength it is most as though the viewer is peering on to a cobblers last metre of the woman . The death sentence in Lichtenstein s hold out is very much more blatant as the drowning lady friend states in her babble I d rather sink than see Brad for dish out which coordinates this theme of desperation and sorrow . The stance of either female in their respected representa tions ar opposite : Lichtenstein gives...If! you want to bugger off a climb essay, order it on our website:
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